Look Homeward, Angel: Letterio Calapai’s Wood Engravings of the Asheville-Inspired Novel
Intricate wood-engraved folio prints by Letterio Calapai interpret Thomas Wolfe’s Look Homeward, Angel in a light-filled Asheville Art Museum gallery, tracing the novel’s fictionalized cityscapes; on view through Feb. 22, 2026.
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Meticulous wood engravings by Letterio Calapai render scenes from Thomas Wolfe's semi-autobiographical 1929 novel, capturing a fictionalized Asheville in a folio of prints displayed in museum galleries through Feb. 22, 2026.
Meticulous wood engravings by Letterio Calapai render scenes from Thomas Wolfe's semi-autobiographical 1929 novel, capturing a fictionalized Asheville in a folio of prints displayed in museum galleries through Feb. 22, 2026.
Meticulous wood engravings by Letterio Calapai render scenes from Thomas Wolfe's semi-autobiographical 1929 novel, capturing a fictionalized Asheville in a folio of prints displayed in museum galleries through Feb. 22, 2026.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Architectural exhibition tracing early 20th-century visions of Richard Sharp Smith, Albert Heath Carrier, and Douglas D. Ellington, highlighting Asheville landmarks, ornamental detail, and their influence on the city's built environment and artistic spirit.
Architectural exhibition tracing early 20th-century visions of Richard Sharp Smith, Albert Heath Carrier, and Douglas D. Ellington, highlighting Asheville landmarks, ornamental detail, and their influence on the city's built environment and artistic spirit.
Architectural exhibition tracing early 20th-century visions of Richard Sharp Smith, Albert Heath Carrier, and Douglas D. Ellington, highlighting Asheville landmarks, ornamental detail, and their influence on the city's built environment and artistic spirit.
Material-driven works by female-identifying artists rooted in the Pacific Northwest, presenting contemporary painting, sculpture, and textiles that highlight voices and visions of the region; on view at Asheville Art Museum through May 17, 2026.
Material-driven works by female-identifying artists rooted in the Pacific Northwest, presenting contemporary painting, sculpture, and textiles that highlight voices and visions of the region; on view at Asheville Art Museum through May 17, 2026.
Material-driven works by female-identifying artists rooted in the Pacific Northwest, presenting contemporary painting, sculpture, and textiles that highlight voices and visions of the region; on view at Asheville Art Museum through May 17, 2026.
Curated survey of studio ceramics from the Gail and Brian McCarthy collection, celebrating Highwater Clays' 45 year influence on WNC pottery; on view at Asheville Art Museum through April 26, 2026, gallery Wed–Sun.
Curated survey of studio ceramics from the Gail and Brian McCarthy collection, celebrating Highwater Clays' 45 year influence on WNC pottery; on view at Asheville Art Museum through April 26, 2026, gallery Wed–Sun.
Curated survey of studio ceramics from the Gail and Brian McCarthy collection, celebrating Highwater Clays' 45 year influence on WNC pottery; on view at Asheville Art Museum through April 26, 2026, gallery Wed–Sun.