Look Homeward, Angel: Letterio Calapai’s Wood Engravings of the Asheville-Inspired Novel
Finely detailed wood engravings by Letterio Calapai render intimate scenes from Thomas Wolfe’s 1929 novel in a numbered print folio, inviting close study of Asheville inspired imagery in the museum galleries through Feb. 22, 2026.
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Meticulous wood engravings by Letterio Calapai render scenes from Thomas Wolfe's semi-autobiographical 1929 novel, capturing a fictionalized Asheville in a folio of prints displayed in museum galleries through Feb. 22, 2026.
Meticulous wood engravings by Letterio Calapai render scenes from Thomas Wolfe's semi-autobiographical 1929 novel, capturing a fictionalized Asheville in a folio of prints displayed in museum galleries through Feb. 22, 2026.
Meticulous wood engravings by Letterio Calapai render scenes from Thomas Wolfe's semi-autobiographical 1929 novel, capturing a fictionalized Asheville in a folio of prints displayed in museum galleries through Feb. 22, 2026.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Letterio Calapai's intricately carved wood engravings evoke animals and fantastic beasts drawn from a medieval bestiary and Thomas Wolfe's Look Homeward, Angel, presenting literary and regional narratives in a focused museum gallery show.
Architectural exhibition tracing early 20th-century visions of Richard Sharp Smith, Albert Heath Carrier, and Douglas D. Ellington, highlighting Asheville landmarks, ornamental detail, and their influence on the city's built environment and artistic spirit.
Architectural exhibition tracing early 20th-century visions of Richard Sharp Smith, Albert Heath Carrier, and Douglas D. Ellington, highlighting Asheville landmarks, ornamental detail, and their influence on the city's built environment and artistic spirit.
Architectural exhibition tracing early 20th-century visions of Richard Sharp Smith, Albert Heath Carrier, and Douglas D. Ellington, highlighting Asheville landmarks, ornamental detail, and their influence on the city's built environment and artistic spirit.
Ceramic vessels and studio pottery from Gail and Brian McCarthy’s collection celebrate Highwater Clays’ 45-year legacy, highlighting regional makers and technical variety at the Asheville Art Museum through April 26, 2026.
Ceramic vessels and studio pottery from Gail and Brian McCarthy’s collection celebrate Highwater Clays’ 45-year legacy, highlighting regional makers and technical variety at the Asheville Art Museum through April 26, 2026.
Ceramic vessels and studio pottery from Gail and Brian McCarthy’s collection celebrate Highwater Clays’ 45-year legacy, highlighting regional makers and technical variety at the Asheville Art Museum through April 26, 2026.
Material-driven works by female-identifying artists rooted in the Pacific Northwest, presenting contemporary painting, sculpture, and textiles that highlight voices and visions of the region; on view at Asheville Art Museum through May 17, 2026.
Material-driven works by female-identifying artists rooted in the Pacific Northwest, presenting contemporary painting, sculpture, and textiles that highlight voices and visions of the region; on view at Asheville Art Museum through May 17, 2026.
Material-driven works by female-identifying artists rooted in the Pacific Northwest, presenting contemporary painting, sculpture, and textiles that highlight voices and visions of the region; on view at Asheville Art Museum through May 17, 2026.